Hyun-Sook Song was born in 1952 and grew up in a mountain village in Korea. In 1972 she travelled to West Germany and soon after that she began to draw and to paint. In doing so she often gave voice to her nostalgic memories of her beloved motherland. Over several decades she created paintings with only a handful of motifs or themes: clay pots, silk ribbons draped around posts, or woven textiles hung on a
thread. 

Darren Bader’s third exhibition at Sadie Coles HQ, more or less, revolves around ideas of exchange, authorship, and the boundaries of the art object. In a series of installations, videos, and texts, Bader extends his use of the found object as a literal and conceptual fulcrum – deploying it as absurdist intervention and index of mundane reality.

For the first time Galerie Max Hetzler presents such a comprehensive selection of works by André Butzer in two parallel running exhibitions. The gallery space at Bleibtreustrasse displays recent paintings from 2016 and 2017 as well as a new artist book – created in collaboration with Hans Werner Holzwarth (Holzwarth Publications). Whereas the space at Goethestrasse ofers an insight into the early work of the artist with paintings from 1999 to 2008, selected from private collections.

In the 1960s, the Rhineland was an important focus for massive changes in contemporary art. A new internationally networked  generation of artists turned away from traditional notions of art. Inspiration came from everyday life. Everyday objects became the material for art. These artists worked in urban contexts,  they broke across  the borders between disciplines, and they collaborated with musicians, writers, filmmakers and dancers. 

Brussels' leading alternative market POPPOSITIONS is preparing for it's 7th edition and will take place during the Art Brussels week from 18 to 22 April 2018, showcasing work by emerging artists represented by galleries, project spaces and artist initiatives.