Xavier Hufkens presents its inaugural exhibition with the influential American artist Sherrie Levine. As one of the artists who are most often cited in relation to appropriation art, it has to be recognized this category is too narrow to contain all that Levine’s work achieves. The more it is looked at, the more depth and complexity her practice yields.
Jakub Choma's solo exhibition at VUNU Gallery, Košice.
When a sardine can look back, when a piece of stone starts smiling at you, when a mute idol starts to speak, that is the moment when the object suddenly appears as something uncanny and transforms into something else, revealing it’s non-objectifiable depth, as W.J.T. Mitchell writes in his book ‘What Do Pictures Want?
Cathy Wilkes previously represented Scotland at the Venice Biennale in 2005 and participated in the International Exhibition of the Biennale in 2013.
The exhibition of Italian artist, curator and organiser operating also under the label 63rd-77th STEPS, opens up the theme of social origin in a resolute, but undogmatic way. Abstracted from cheap decorations typical for Southern Italy‘s lower classes, and often related to rituals dividing life between everyday misery and times of celebration, this iconography constitutes traditional gender and family roles, duties as well as vanishing privileges. Santacroce’s installation is an aestheticizing portrait, both critical and empathetic, underlining a certain sense of sentimentality and vulnerability, but always escaping romanticisation. Santacroce’s work is filled with working class ethos but also a certain courteous nihilism.
Page 55 of 65